143 IS A PARTY AND EVERYONE IS INVITED! Katy Perry has officially launched an exciting new era with the long awaited sixth studio album “143”. Katy set out to create a bold, exuberant, celebratory dance-pop album with the symbolic 143 numerical expression of love as a throughline message. The result is a sexy, fearless, return to form for the multifaceted musician with an album jam packed with the empowering, sexy, & provocative pop anthems you’ve come to love. This is an album with a lot of heart and a lot of BPM. Get ready to pop off!

Lowell George was the guitar virtuoso, vocalist and songwriter for Little Feat. In this collection of 25 songs, artists as Elvis Costello, Ben Harper and Dave Alvin interpret and perform his diverse catalog.George, born in Hollywood, California was a member of Frank Zappas Mothers of Inventions before leaving that band and forming Little Feat with Bill Payne. Lowells tenure in the band was for 7 years until his death and in that time, they released eight albums. While George died in 1979, his legacy lives on through this album..

‘Leon’ is the highly anticipated fourth album from Grammy Award-winning recording artist, songwriter, and performer Leon Bridges. With 13 tracks featuring Leon’s signature storytelling and a unique blend of organic genre alchemy, ‘Leon’ is his most poignant, powerful, and personal work to date. He takes fans on a trip through the heart of Ft. Worth he knows best, the things he holds dear, and the people and places that shaped him. Featuring production by Ian Fitchuk (Beyonce, Noah Kahan), Daniel Tashian (Kacey Musgraves), and Tyler Johnson (Harry Styles, Miley Cyrus), Leon describes the album as “somewhat of a self-portrait… I'm excited to share these stories about my home, about nostalgia, about my upbringing, about where I'm from, with all of you. I hope this music brings you back to your roots and your journey.”

Multiple GRAMMY and Academy Award-winning artist, songwriter, and producer, FINNEAS returns with ‘For Cryin’ Out Loud!’ his second studio album. FINNEAS’ self-produced solo album was born out of a series of live studio sessions in Los Angeles, bringing together some of his closest friends and peers into one room. In contrast to his debut album OPTIMIST which featured instrumentals written and performed solely by the artist himself, For Cryin’ Out Loud! sees FINNEAS expand his creative horizons to a classic studio/band environment, freeing FINNEAS and ultimately resulting in his most uplifting and raw body of work to date. For Cryin’ Out Loud! follows the release of his sister Billie Eilish’s third studio album HIT ME HARD AND SOFT which has further cemented him as one of the most critically acclaimed, award-winning producers and songwriters of his generation.

JD McPherson has created something unique and amazing with his latest album, Nite Owls. His first album release since 2018’s critically acclaimed Christmas classic, SOCKS. Over the past 5+ years, McPherson has stayed consistently busy writing new songs while at the same time touring with Alison Krauss and Robert Plant. Being a touring musician offers the chance to see the sights, tour the town and pick up some inspiration from the local record shop. With Nite Owls, JD wanted to try something new and different. He wanted to take the inspiration from multiple decades and styles and incorporate them into his own sound. “The initial idea for the record was: It’s like if The late-60s Ventures were the session band on the first New Order record.” Says, McPherson. Idea achieved. Nite Owls delivers the signature sounds of vintage garage-rock while also seamlessly bridging the sounds of Bowie and Alan Vega. Songs such as “Sunshine Getaway”, “The Rock and Roll Girls” and “I Can’t Go Anywhere with You” sound like Chuck Berry is jamming with Buddy Holly. While songs like “Nite Owls” and “Don’t Travel Through the Night Alone” give a nod to the Factory sound from the UK. The throwback sound of the lone instrumental track “The Phantom Lover of New Rochelle” would make Dick Dale ride and Link Wray rumble. With Nite Owls, McPherson takes inspiration from multiple genres of the past and combines them together to evolve a sound that is all his own.

With two solo efforts under his belt and sold out headline tours in the rearview, iconic frontman, instrumentalist, and “one of rock’s finest vocalists” (KERRANG!), MYLES KENNEDY (Alter Bridge, Slash ft. Myles Kennedy & The Conspirators), is guided by a sense of keenly honed intuition on his third full-length album, The Art of Letting Go, out October 11, 2024 via Napalm Records. The album follows 2021’s acclaimed The Ides of March, which notched a total of four #1 debuts across three countries, topping the US Top Current Hard Music Chart, the UK Official Rock & Metal Chart and Official Independent Album Chart, and Canada’s Hard Music Albums Chart. Beyond generating 10 million-plus streams, it incited unanimous critical applause. RIFF hailed it as “a fantastic and must-listen record,” while Classic Rock Magazine attested, “The Ides of March confirms Myles Kennedy as a musical powerhouse.” In 2023, Kennedy returned to Studio Barbarosa in Florida to record what would become The Art of Letting Go with longtime producer Michael “Elvis” Baskette. Joined by bandmates Zia Uddin [drums] and Tim Tournier [bass], he approached the sessions with a clear and cohesive intent. While his previous outputs boasted more acoustic and roots elements, this time around, Kennedy & Co. delivered a record that could be performed as a trio, without having to reimagine arrangements - resulting in a more riff heavy, guitar driven sound. MYLES KENNEDY introduces the album with the hypnotic lead single “Say What You Will.” Right out of the gate, the track’s hummable guitar lead snakes around a thick distorted groove. Elsewhere, drums crash through a storm of swinging riffage on the introspective “Nothing More To Gain” as he locks into a swaggering cadence on the verses. During the bridge, Kennedy wonders, “When will you learn?”. Then, there’s the driving “Saving Face” – where a bluesy six-string lick sets the tone, giving way to a momentous beat before turning on a dime towards a chantable refrain offset by high register harmonies. Clean guitar echoes over a percussive march on “Miss You When You’re Gone,” as the aura of “all things must pass” surrounds the track’s lyrical basis. The finale, “How The Story Ends,” tempers moody orchestration with one last soul-stirring solo and a cathartic chorus, inspired by the personal importance of standing up for one's own interests and needs rather than taking a passive approach. MYLES KENNEDY’s hope with The Art of Letting Go is to provide listeners with an escape, empowerment, healing, and the comfort that we’re all in this together. Kennedy offers, “I’ve realized you don’t need to prove yourself to anyone but you. Do the best you can, remember you’ve got a gift, and use it,” and use his own gift, he has.

Dance, No One's Watching is an ode to the sacred, yet joyous act of dancing, an album that musically guides you through a night out in the city, from the opening of possibilities as a new evening spans out ahead, to dawn’s final hours as the night comes to a close. Written during a blistering 2023 which saw Ezra Collective tour the world and become the first jazz act to win the Mercury Prize, Dance, No One's Watching is a documentation of the many dance floors they encountered.

Alan Sparhawk has always been a prolific, protean musician. A restless soul eager to explore unfamiliar sonic and psychic terrain. Though he's obviously (and justifiably) best-known for his thirty years as frontman of the legendary band Low, a look at Sparhawk's many side projects across that same span of time shows him experimenting with everything from punk and funk to production work and improvisation. Low itself never settled for a set sound or approach. The band was always a collaboration-a conversation, a romance-between Sparhawk and his wife, Mimi Parker, who was the band's co-founder, drummer, co-lead vocalist, and it's blazing irreplaceable heart. To take the journey from Low's hushed early work, through the tremendous melodies of their middle period, all the way to the late lush chaos of their final albums, is to witness heads, hearts, and spirits in an act of perpetual becoming.Parker passed away in 2022 after a long battle with cancer, and there is no question that WHITE ROSES, MY GOD is a record borne of grief. You can hear it in the title, as well as tracks such as "Heaven", in which Sparhawk describes the afterlife, wrenchingly, as "a lonely place if you're alone." You can sense it too in Sparhawk's decision to create this thing entirely on his own: every note, every lyric, every programmed beat. It would be reductive, even foolish, to see grief as the sole source or the final limit of this taut, brilliant, provocative, thrilling album, whose bold experimentation is powered by profound lyrics and propulsive beats. "Can you feel something here?" Sparhawk asks on "Feel Something." The line repeats over and over, evolving first into "I want to feel something here" and then "Can you help me feel something here?" Meanwhile the musical means he's chosen to convey this message-especially the pitch-shifter-might seem at first like they're making it harder to access that very something he wants us (and himself) to feel. Isn't the vocoder a barrier between us and the deep emotionality we've long associated with an Alan Sparhawk vocal? Maybe, maybe not. Probably not. But even if it is, then it's a barrier worth breaking and the music itself is the hammer. Sparhawk conjures forth the ghosts trapped inside these machines. WHITE ROSES, MY GOD is an exorcism whose purpose is not to banish the spirit but to set it free. In many ways WHITE ROSES, MY GOD feels like a hard break with the past, almost a debut. And yet there's incredible continuity with Sparhawk's past work and his traditional ways of working. He's pathbreaking, yet again, invested as ever in the endless process of becoming himself. As he puts it on "Station": "I can please myself with the things I seek out." Us, too. We are lucky to be here to hear it as it happens.

Multi-award-winning tenor saxophonist, bandleader and composer Nubya Garcia's latest album, Odyssey (Concord Jazz) follows her critically acclaimed debut album, SOURCE. Odyssey is a majestic feat that blends orchestral arrangements with R&B, jazz and dub. Produced by Garcia and Co-Produced by kwes, Garcia returns with Joe Armon-Jones (keys), Daniel Casimir (bass), Sam Jones (drums). Featured guests include esperanza spalding, Georgia Anne Muldrow, and Richie Seivwright.

In September of 2022, with over 40,000 fans in attendance, The Lumineers took fans on a anthemic, foot-stomping journey with the BRIGHTSIDE World Tour, ending their largest worldwide tour to date at Chicago's historic Wrigley Field. Highlighting career favorite tracks like Ho Hey, Ophelia, and Stubborn Love along with modern favorites A.M Radio, Brightside and more, both their sophisticated songwriting and impressive instrumentation and performance chops were on full display. For the band's first live album ever, the performance will be pressed on a 3-LP vinyl set. Hear The Lumineers like you've never heard them before.

Got A Story to Tell refines the sweet soul sounds Thee Sacred Souls have become famous for, delivering a genre pushing collection of songs that exhibit a magnetic coolness and swagger. The relaxed quality of the musicianship coupled with Josh Lane's heart-wrenching voice, gives the album a maturity that carries the listener through many facets of the soul music spectrum. From the heavy groove of the opening track "Lucid Girl", the '70s swing of "Live for You".

Reissue. Come Over When You're Sober, Pt. 1 (often shortened to COWYS Pt. 1), is the debut studio album by rapper Lil Peep and the only album to be released during his lifetime. It was released in August 2017. Lil Peep died exactly three months after the album's release.

Jason Isbell and the 400 Unit follow up 2018's Live from the Ryman with a second volume of live recordings from their annual residency at The Ryman Auditorium in Nashville, TN. Live from the Ryman Vol. 2 features favorites from Weathervanes and Reunions recorded in 202 & 2023 as well as "The Last Song I Will Write" (2019) and a cover of Tom Petty's "Room at the Top" (2017).