The program of this literary reading with music gives us insight into Anton Bruckner's correspondence, beginning with the first three extant letters from the year 1852, during his years in Upper Austria and particularly during his time as the parish organist at Old Cathedral in Linz from 1855 to 1868. The selected writings reveal much about the self-presentation and self-image of the musician and composer who never ceased studying. Lesser-known lieder and piano works by Bruckner allow us audibly to trace the composer's development in the period between 1850 and 1868. In the intertwining of his words with his works, a multifaceted and surprisingly sophisticated yet uncommon image of Bruckner's "hidden personality" (Elisabeth Maier) is revealed.
The program of this literary reading with music gives us insight into Anton Bruckner's correspondence, beginning with the first three extant letters from the year 1852, during his years in Upper Austria and particularly during his time as the parish organist at Old Cathedral in Linz from 1855 to 1868. The selected writings reveal much about the self-presentation and self-image of the musician and composer who never ceased studying. Lesser-known lieder and piano works by Bruckner allow us audibly to trace the composer's development in the period between 1850 and 1868. In the intertwining of his words with his works, a multifaceted and surprisingly sophisticated yet uncommon image of Bruckner's "hidden personality" (Elisabeth Maier) is revealed.
9003643991958

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Format: CD
Label: GRAMOLA
Rel. Date: 01/03/2020
UPC: 9003643991958

Bock Liest Bruckner 1
Artist: Wolfgang Bock
Format: CD
New: Available to Order 18.99
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1. Steiermärker, Wab 122
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2. Brief Bruckners An Josef Seiberl, Eferding, 19. März 1852
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3. Brief Bruckners An Das Bischöfl Iche Konsistorium, Linz, 3. April 1852
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4. Brief Bruckners An Ignaz Assmayr, Wien, 30. Juli 1852
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5. Wie Bist Du, Frühling, Gut Und Treu, Wab 58 (Excerpt) [1]
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6. Brief Bruckners An Die Organisierungs-Kommission, Linz, 25. Juli 1853
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7. Wie Bist Du, Frühling, Gut Und Treu, Wab 58 (Excerpt) [2]
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8. Briefe Bruckners An Rudolf Weinwurm, Wien, 1. September 1857 & 1. August 1858
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9. Brief Bruckners An Die Liedertafel „frohsinn“, Linz, 2. September 1858
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10. Wie Bist Du, Frühling, Gut Und Treu, Wab 58 (Excerpt) [3]
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11. Brief Bruckners An Rudolf Weinwurm, Wien, 6. Juni 1859
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12. Brief Bruckners An Rudolf Weinwurm, Wien, 7. Juni 1860
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13. Mein Herz Und Deine Stimme, Wab 79
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14. Brief Bruckners An Rosalia Hueber, Vöcklabruck, 11. November 1860
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15. Fantasia In G Major, Wab 118
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16. Brief Bruckners An Rudolf Weinwurm, Wien, 10. Februar 1861
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17. Brief Bruckners An Die Direktion Des Konservatoriums Der Gesellschaft Der Musikfreunde In Wien, 20. Oktober 1861
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18. Brief Bruckners An Rudolf Weinwurm, Wien, 7. September 1862
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19. 5 Charakteristische Stücke, Op. 7 "Tonräthsel": No. 1, Innig
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20. 5 Charakteristische Stücke, Op. 7 "Tonräthsel": No. 2, Schnell Und Feurig
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21. 5 Charakteristische Stücke, Op. 7 "Tonräthsel": No. 3, Mässig Bewegt Und Ausdrucksvoll
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22. 5 Charakteristische Stücke, Op. 7 "Tonräthsel": No. 4, Leicht, Heiter Und Schnell
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23. 5 Charakteristische Stücke, Op. 7 "Tonräthsel": No. 5, Langsam
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24. Brief Bruckners An Rudolf Weinwurm, Wien, 8. Oktober 1863
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25. Brief Bruckners An Rudolf Weinwurm, Wien, 1. März 1864
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26. Brief Bruckners An Rudolf Weinwurm, Wien, 18. Oktober 1864
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27. Frühlingslied, Wab 68
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28. Brief Bruckners An Rudolf Weinwurm, Wien, 29. Jänner 1865
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29. Brief Bruckners An Rudolf Weinwurm, Wien, 30. August 1866
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30. Der Mondabend, Wab 200
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31. Brief Bruckners An Rudolf Weinwurm, Wien, 19. Juni 1867
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32. Brief Bruckners An Rudolf Weinwurm, Wien, 21. Juli 1867
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33. Brief Bruckners An Das Bischöfl Iche Ordinariat, Linz, 2. Dezember 1867
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34. Brief Bruckners An Rudolf Weinwurm, Wien, 16. Jänner 1868
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35. Stille Betrachtung An Einem Herbstabend, Wab 123
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36. Brief Bruckners An Rudolf Weinwurm, Wien, 20. Juni 1868
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37. Brief Bruckners An Das Konservatorium Der Gesellschaft Der Musikfreunde In Wien, 28. Juni 1868
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More Info:

The program of this literary reading with music gives us insight into Anton Bruckner's correspondence, beginning with the first three extant letters from the year 1852, during his years in Upper Austria and particularly during his time as the parish organist at Old Cathedral in Linz from 1855 to 1868. The selected writings reveal much about the self-presentation and self-image of the musician and composer who never ceased studying. Lesser-known lieder and piano works by Bruckner allow us audibly to trace the composer's development in the period between 1850 and 1868. In the intertwining of his words with his works, a multifaceted and surprisingly sophisticated yet uncommon image of Bruckner's "hidden personality" (Elisabeth Maier) is revealed.